Mackie 1604 VLZ pro sound board
| Start Price |
USD 875.00 |
| Current Price |
USD 875.00 |
| Time Left |
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| Start Time |
Thursday, September 04, 2008 |
| End Time |
Tuesday, September 09, 2008 |
| Location |
Escondido, CA |
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Description
Everything on this board works, and it is a versatile sound board. Master fader is scratchy, but other than that it is in pristine condition. From audiolines.com & dvwarehouse.comFeatures * 16 low noise/high headroom XDR™ (Extended * Dynamic Range) XLR mic inputs with the best * RFI rejection of any compact mixer design and * maximum freedom from ground loops. * 16 balanced/unbalanced mono line inputs * True 4-bus design * Multi-way physical confi guration via rotatable * I/O pod, or optional RotoPod Kit (RP1604-VLZ) * Inserts on all channels * Direct outs on channels 1–8 * 3-band EQ with sweepable mids * 75Hz, 18dB/oct. Low Cut fi lter on each channel * PFL/AFL (Solo In-Place) on all channels (global) * Very Low Impedance (VLZ) architecture * Control Room/Phones source matrix * 6 aux sends, 2 with master level controls * Wide input gain range with “virtual pad” * Stereo main outputs plus mono main output * with separate level control * Balanced inputs and outputs (except RCAs, * phones & inserts) * Level set LED and markerApplicationsLive sound mixing for churches, clubs,schools, conference centers, boardrooms,tradeshows, presentationsKeyboard, drum machine and DJMultitrack studio and fi eld recordingA/V presentations, video post production,CD authoring, multimediaLive broadcast remotes, ENG, ad production IntroductionThe 1604-VLZ PRO is the latest update of our CR1604-VLZ, incorporating our new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design on the market and maximum freedom from ground loops.1604 Like all Mackie mixers, the 1604-VLZ PRO is designed for rugged, 24-hour-a-day use. It is a supremely fl exible mixer, not just because of its multiple input/output confi gurations, but because of its true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift switch), and extensive routing capabilities. No matter what the application, the 1604-VLZ PRO can be confi gured for optimal use. As a tabletop mixer, input/output jacks can be positioned at the rear of the unit, or with the optional RotoPod Kit (RP1604-VLZ), positioned on the same plane as the controls. Placed in a rack system, the 1604-VLZ PRO can be set so that jacks are facing front (using the RotoPod kit) or facing the rear to keep wandering hands from playing with cords. Whether used in a permanent installation, or as a portable mixer, the 1604-VLZ PRO is completely at home. Built like a tank, the 1604-VLZ PRO is a team player that can stand up to vigorous use, day in and day out, any place it is installed.Its sturdy-yetlight steel monocoque construction houses rugged, double-sided through-hole-plated fi berglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they "ride" just above the steel chassis — they absorb impact without trouble. They’re designed to last, too, thanks to co-molded potentiometers that don’t get brittle and crack up. Then, we use metal stand-offs at regular intervals to mount thick fi berglass circuit boards inside the mixer.Radio frequency interference from TV/radio stations and cellular phone users is virtually eliminated, thanks to Mackie’s new XDR mic preamp design. The mixer’s built-in power supply is beefy enough to handle major power consumption without breaking up. And there’s no bulky “wall wart” to be kicked out of place or t cover up extra outlets.1604All of this adds up to an extremely durable mixer that can withstand major use and misuse. Multi-user applications like churches, night clubs, A/V rooms and schools are perfect homes for the 1604-VLZ PRO. Sixteen XDR mic preamps deliver the fi nest quality sound ever offered in a compact mixer. They cannot be damaged by hot patching. And they are impedance-independent: frequency response remains the same whether the mic preamp is presented with an extremely high or low-impedance load. Additionally, each channel has its own switchable low cut fi lter (18dB/octave @ 75Hz), so mic thumps, room rumble and stage mishaps are left out of the mix without diminishing the audible bass frequency range.Four buses add mixing fl exibility. Channels can be assigned to buses 1-2, 3-4 and/or Main Mix L/R, and the 4 subs can be assigned to left and/or right main mix. A Control Room/ Phones source matrix lets you route any combination of tape, subs 1-2, 3-4, main mix or Aux Return 4 to headphones, control room outputs, and meters. This enables you to monitor 2-track tape output or route a click/cue trackto phones, create special phones or broadcast mixes via the subs, or create an extra stereo mix (with its own gain control) for another zone, like a cry room, lobby, or other such place. For that matter, the 1604-VLZ PRO’s Mono Main Out has its own level control, so a mono mix can be sent to another zone and adjusted accordingly. The 1604-VLZ PRO has six aux sends, in a fourknob per channel strip format with Aux Sends 1 & 2 switchable pre- or post-fader, and the next two knobs switchable between Aux Sends 3 & 4 or 5 & 6 (all four are post-fader).1604 1604Solo has its own volume control and is switchable from AFL (In-Place) to PFL. Level setting is easy in PFL, especially when used in conjunction with the mixer’s level set LED and marker (near the 12-segment stereo LED ladder). Check a channel’s stereo placeme by switching to AFL; the 1604-VLZ PRO’s constantpower pan pots maintain a consistent loudness across the stereo horizon. Log-taper 60mm faders deliver a consistent fade throughout the fader’s throw, so choppy fade-ins and fade-outs are history. These faders have a copolymer membrane that provides a continuously sealed barrier against dust and liquids without interfering with fader travel. Similarly, the fader’s long-wearing contact material (fi rst designed for use in exterior automotive sensors) means longer fader life and improved resistance to the elements.The 1604-VLZ PRO is designed for continuous, hassle-free use in any application or installation. And it’s packed with useful features and practicalrouting capabilities. Simply stated, this mixer offers more features, more peace of mind and more possibilities than any mixer in its class.SpecificationsMic PreampEquivalent Input Noise (20Hz–20kHz): * 150Ω –129.5dBu * 50Ω –131.0dBu * 0Ω –134.5dBuFrequency Response: * –1dB 5Hz–100kHz * –3dB 3Hz–192kHzIM Distortion (4:1 SMPTE),35dB gain 0.0008%Harmonic Distortion (20Hz–20kHz), 35dB gain 0.0007%Gain: Max +60dBMin 0dB or UnityMax Input +22dBInput Impedance 1.3kΩCommon Mode Rejection > 90dBCommon Mode Rejection Ratio > 140dB AudioChannel Mute switch engaged: –84dBuChannel Fader down: –84dBuFrequency Response420Hz to 60kHz: +0dB/–1dB20Hz to 100kHz: +0dB/–3dBOther Maximum LevelsAll other inputs: +22dBuMain Mix 1⁄4” TRS outputs: +28dBuAll other outputs: +22dBuOther ImpedancesChannel Insert return: 2.5kΩAll other inputs: > 10kΩTape out: 1.1kΩAll other outputs: 120Ω Main Mix Noise1Main Mix fader @ unity, ch. faders down: –90.5dBMain Mix fader @ unity, ch. faders @ unity: –88.0dBTotal Harmonic Distortion (THD)2 0.005%Attenuation (Crosstalk)3EQHigh Shelving: ±15db @ 12kHzMid Peaking: ±15dB, sweep 100Hz–8kHzLow Shelving: ±15db @ 80HzLow Cut Filter: 18dB/octave, –3dB @ 75HzPower Consumption120VA.C., 50/60Hz, 50 wattsPhysicalDimensions see drawings on page 4 & 5Weight 20 lbs. (9.1kg)
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